edited by Jess Chandler, Aimee Selby, Hana Noorali & Lynton Talbot

with Fatema Abdoolcarim, Victoria Adukwei Bulley, Bebe Ashley, Anna Barham, Paul Becker, Elaine Cameron-Weir, Adam Christensen, Sophie Collins, CAConrad, Rory Cook, Jesse Darling, Anaïs Duplan, Inua Ellams, Olamiju Fajemisin, Johanna Hedva, Caspar Heinemann, Sophie Jung, Sharon Kivland, Tarek Lakhrissi, Ghislaine Leung, Quinn Latimer, Jordan Lord, Dasha Loyko, Charlotte Prodger, Laure Prouvost, Flo Ray, P. Staff, Alice Theobald, Jesper List Thomsen

foreword by Isabel Waidner
afterword by Vahni Capildeo

designed by Traven T. Croves

Intertitles is an anthology of work situated at the intersection of writing and the visual arts. The anthology aims to explore their confluence and is conceived in response to a twofold observation: the increased presence of written, spoken and performed language in the work of visual artists and the simultaneous increase in visibility and circulation of the work and voices of writers in the visual arts arena.

Bringing together a substantial and significant collection of work, the anthology recognises that both writers and artists are attracted to the possibilities of language as a material. Through essays, performance texts, scores, poetry and more, Intertitles plots a course through contemporary writing practices and lends perspective to the question of why this might be of particular interest at this moment in time.

In art as in poetry, meaning is made in the very conditions of the encounter itself. The knowledge produced is not instructive or strictly informational but subjective and relational. Artists build the worlds that viewers may inhabit temporarily in the moment of their becoming. The physicality of these temporary utopias, however, is frequently realised in the contested spaces of our museums and galleries. This anthology asks if poetry, and the world it is capable of building outside of these normative structures, is poised to be the most constitutive form of all. Putting poetry into the social milieu, as a shared goal of artists and writers, might be understood as a gesture towards a truly radical reimagining.